BiB: Gigi Perez – From Losing Her Record Deal to Going Viral Again (Her Wild Comeback Story!)
On this episode of Bringin’ It Backwards, Adam and Tera catch up with rising indie-pop artist Gigi Perez for a candid and inspiring conversation about her journey over the last two and a half years. When they first had Gigi on the show, she was just breaking out—she hadn’t yet released her debut EP, and she was still figuring out her sound. Since then, Gigi’s world has turned upside down: she’s experienced viral success, lost her record deal, moved back in with her parents, and—against the odds—taught herself how to engineer and record her own full-length album right from her bedroom.
In this episode, Gigi opens up about the grief and resilience behind her music, the realities of the music business, and how reclaiming her creative process helped her find joy again. She shares the true story behind her hit “Sailor Song,” the vulnerable songwriting on her new album, and the life-changing lessons she’s learned about artistry, community, and self-acceptance. It’s an honest look at the highs, lows, and everything in-between for an artist determined to stay true to herself.
If you’re an aspiring musician or a fan of heartfelt storytelling, this episode is packed with real insight and wisdom. Don’t forget to subscribe to Bringin’ It Backwards and listen to the full interview with Gigi Perez on your favorite podcast platform.
We'd love to see you join our BiB Facebook Group.
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What is going on? It is Adam. Welcome back to Bringing It Backwards, a podcast
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where both legendary and rising artists tell their own personal stories
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of how they achieve stardom. On this episode, we had
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a chance to catch up with Gigi Perez over
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Zoom Video. We had Gigi on over two years ago
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now. The first time we had her on, she didn't even have out
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the ep how to Catch a Falling Knife. I think
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Figurines maybe was the most. Recent single at the time, so she
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hadn't even announced the episode. So it's really cool to kind of. Catch up with
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Gigi. Really picked up where we left off. She talked a lot about that,
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that ep, how to Catch a Falling Knife, what it was like to
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lose her deal with the record label she was on at the time, and
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how that really pushed her to move back in with her parents and
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learn how to engineer and record herself, and that's what
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she's done for this new album. So Gigi talks to us
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about the process of this new album, obviously the
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success of the song Sailor, and really everything she's gone through over the
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past two and a half years. Now you can watch the interview
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with Gigi on our Facebook page and YouTube channel at bringing it Backwards. It'd be
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amazing. If you subscribe to our channel, like us on Facebook,
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follow us on Instagram, Twitter and Tik Tok at Bringing back
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pod. And if you're listening to this on Spotify, Apple Music, Google
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Podcasts, please rate and review the podcast. It helps us out
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tremendously. We'd appreciate your support. If you follow and
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subscribe to our podcasts, we're Wherever you listen to podcasts. We'Re
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Bringing It Backwards with Gigi Perez.
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Bringing it backwards.
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Bringing it backwards. Bringing it backwards.
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Bringing it backwards. Bringing it backward.
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Bringing it backward. Hi, Gigi. How are
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you? Good, how are you? Sorry, my wi fi in this hotel
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doesn't work at all. I don't know why. So
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I'm. I'm on the awesome iPhone camera. It looks
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great. How are you doing? I'm great. Thank you so much
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for doing this again. Of course. It's been so long.
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I know. It's been a couple of years, I think.
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Yeah. I want to say, I think it was like
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November, just 2022 when we last
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spoke. I think Figurines was out. You didn't have the EP out. Nothing.
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Wow, that's crazy. Yeah. So a lot to catch up
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on. I'm excited. Yes. Yes, for sure.
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Awesome. Well, you kind of know the drill. We got your backstory in the first
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interview, really about how you got into music and everything. But just. I'm
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going to recap it a little bit and then kind of pick up where we
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left off and obviously talk about the album and everything else.
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Awesome. Cool. So yeah, you're born in Jersey, but you moved
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to West Palm Beach, I think at six, Right.
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Okay. And then you ended up attending Berkeley School of Music. But
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I didn't get the story on how you. I know like we were talking about.
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I think you said you were like 16, you went to the. The camp. Right.
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You went to the Berkeley's camp and. But how did you
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actually apply to the school? Did you have to do an audition process? Because I
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know a lot of people that went there that had do that. Yeah, some were
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like, yeah, they just let me in. Or some were like, oh man, it was
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the most intense thing ever. Oh my goodness.
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I get into. How did I get it?
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I lived for the process. It was so.
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Was very stressful. I mean like, you're like 17. You're like. Your life depends
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on this. I also knew I wasn't getting into other schools. I was like, I
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applied to, um. And I was like, I don't have the SAT score for that.
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That's funny. I'm not going to get you. But you wanted to go for music,
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right? Just in. Yeah. Yeah. But, um, has this, this program
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called Frost that I was also interested in. Okay. But Berkeley was like
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the dream for me. I was like. When I went there when I was 16,
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it was. It was the first time I met, you know,
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young gays like me. So I was like, you know, losing
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my mind and of course the music.
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But the process, if I remember, it's like you
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prepare for an audition so you.
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I don't even think I needed like a resume or like a.
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I don't think you need. What are those things? Like the college statements or whatever
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the heck they're called. Yeah, like a letter recommendation or something like that. Yeah. I
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think you do need letter of Rex. And then you. All you might
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need like to write your life story or you don't. It was optional.
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I definitely did it. I was like ready. Or like writing my life story.
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And then, you know, for the audition you have to.
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It's. There's a. There's a section that is like
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identifying intervals. That's one.
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So I had this app called Tenuto that I always did. And it's like you
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could just like identify intervals and all this stuff. I did so well in that
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audition that they placed me in ear Training, too, which was so bad, it was
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the worst thing. I told him, you got. You guys have the wrong girl. Like,
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I'm not supposed to be an ear. Training, too. I don't know how to read
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music. Don't put me in your training, too. I just know how to
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identify a perfect fifth. So it's.
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There's that, you know, you do us. You do two songs of your
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choice, and then I think one classical piece.
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Did you do your own songs? I did, yes. I did
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this one song that I was obsessed with that I wrote my senior year called
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Questions. Okay. And then I
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sang Vienna by Billy Joel. And then I
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think a third thing. And then I think at one point I was singing Anything
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Worth Holding on to by Scott Allen. Okay.
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But that was like, I. So I do the
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audition. It was the best time of my life. You also do an interview, so
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they ask you and, you know, question. Like, I. I remember, like,
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I would answer the questions in the shower. Like, I was so,
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like, dead. Yes. Like, and it
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wasn't even so much like, I know. And I feel this way anytime I
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speak to anyone. Like, I don't know. I feel like I have a lot to
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say. And so it does feel like there is this just
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following the. The flow of, I guess the
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intuition. And I really love that because that was the first time I was really
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doing that. And I realized how much I liked talking about things,
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you know, to people. Like somebody asking me a question, like, oh, yes, let me.
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You know. So that was me at, like, 18, and I loved
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it. And then I. You, like, sit
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in, like, this. This big kind of like
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cafe room thing. I don't know. I look back at the
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time, I was like, I feel like I'm so
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blessed. I've. I've seen a lot of things by the age of
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25, and it blows my mind to think about
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how incredible and blessed I've been.
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And I think back to, like, me at 17, who. You know,
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I've seen, like, a lot of beaches, but, like, I haven't seen really
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the world, if that makes sense. Something like
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being in a. In a college room full of kids that are all,
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like, anxious and sweating because they want to get into their
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dream school. And, like, yeah, it was just. It was so exciting. It was
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so new, and I loved it. I. I remember
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leaving the audition be like, I got in, you know, like, just feeling like I
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got. I'm. I'm like, I got in. And then
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I think they send you. Like, a letter or something that you got in. Yeah.
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That must have been a big day. Yeah, they did, they sent and I
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did early action. So I got. I
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was like one of the first. One of the first,
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I guess, batch of people that got in and that was also like.
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Yeah. So that happened. And then I ended up deferring for
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a year to save some money, get
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a job and you know, try to like not
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break the back of the financial break. Oh yeah, 100%.
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So I don't understand. It's so expensive. It's crazy.
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And so I deferred a year and then I had to re audition
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and I was like, okay. Yeah. And I was like, I'll do it again.
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I definitely was like, damn, I have to re audition. But that, you
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know, I did better the second time. And then, you know,
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I went to Berkeley and that was that. Yeah, that's
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the audition process. And if anybody needs help getting into Berkeley, I got you.
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Yeah. Because I've heard so many different stories of it. That's so cool. I mean,
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the fact that you played. Did you go in as a songwriting major? Is that
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what you wanted to do? My, my. So you go in with like
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a focus of your instrument and mine was voice. And then I never
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made it to like actually doing the
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specialties because it was like eight months in. I
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also didn't know how to like declare my major.
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It was so complicated. Like, I don't know, like I. Maybe it's just like natural
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selection, but like I did not know I would go into the
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college, you know, administration or something, the office.
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And I didn't know what
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to like. Yeah, I didn't feel like I
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had the. I don't know if it's that I had the
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guidance or that I didn't. Did I apply myself? I don't know.
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Sure. Well, I mean, you ended up. You got hit with COVID during your time
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there and then. Yeah. You had
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massive moments on Tick Tock and got signed to a major label. So it was
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like, that's kind of probably the goal when you graduate.
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Yeah. So that worked out.
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But yeah, so last time we spoke, like I said we, you we, we, you
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know, we talked about, you know, Seline and the viral moment on that song and
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obviously you had another follow up moment with
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Sometimes and but you had just released
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Figurines so I don't know, you know, I kind of want to hear
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about. So you put out your first EP in 2023 and
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then obviously the new album. So going from
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there like just, I guess we'll just pick up with, with that
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ep. Like tell me, I don't even think you had announced the EP yet. I
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think you did after the fact. Yeah, so it's actually crazy
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because the EP came out I think two years
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ago yesterday. Oh my
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gosh. So it's like fully the anniversary and then my
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album came out like three days before that. Two years Friday.
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Yeah. Yeah. So it's like none of this is
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planned, but it's definitely like a
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definite moment of feeling kind of a divine,
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good, divine kind of. It's very
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different, I think the whole entire process between making my
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first CP to yeah. I mean, it's just a different time
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in my life. I think that I, you know,
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struggled a lot in my first time around, my first project.
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Granted, there were a lot of incredible experiences that I was having,
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especially being new to the. The music
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scene in a more professional context. Like,
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I grew up very much like in the indie. In the indie
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scene. And getting signed was like,
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it was a big deal, you know. And I also told myself when I was
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like 19, I was like, I'm never going to do majorly, you
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know, I'm never selling out, you know,
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and now I'm just. I'm under different conditions and in terms.
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So it's like I don't. I. I haven't sold
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out, you know, I don't need to do it. I know, but. You know what
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I mean? But I think the first time, like, there's a song on my, my
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album that just came out called Sleeping and
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Sleeping is the second song. Part. Part of it is about
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the grief aspect of like, it's. It's basically like
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how people treat you
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when you're going through grief and like, also how
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you feel about yourself when you're going through grief, how you deal with others.
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So it's like how others deal with you, how you deal with others. And then
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it's also about. In. In the music business,
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how people deal with you when you're like,
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I don't know, in a lower moment or like
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there's nothing going on with you really, however you'll put it, like, just
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not your best. How others deal with you,
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perceive you, see you, and how you deal with them
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versus when you're doing really well and you're. And
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you're successful or, you know. So I think that it's
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like for me, there was a lot of resentments that I
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had, like feeling like I did, you know, I kind of
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entered a machine with no awareness of
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what a true, true awareness besides, like, what
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you're told to, like, be careful, you know, and like, you
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know, all the, all the things that they tell you about it.
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But you never know until you really don't know, until you experience it for yourself.
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No matter how smart you think you are, no matter how. Who you have around
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you. Like, there are just things that just, like, happen so quick
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that only now that I've gone through these experiences am I able to
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see those things that, you know, I feel like I'm a much more
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confident and safe position in my life, which is
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amazing. But, yeah,
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sleeping is definitely about, like, that feeling of, like,
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feeling, like, exploited, you know, or just not really,
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like, understanding.
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Not really understanding
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or unable to let go of the resentment
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that comes with just dealing, like, being in a position
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that people. That other people haven't been through, but they're looking
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at you. And so there's like, a lot of
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resentment. And so I think I was dealing with that, like,
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kind of resentment piece for a while at my first.
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My first go around, my first deal.
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And then, you know, I was released
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a fishy into the ocean and, you know, I.
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I found my coral reef, you know. Sure.
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Well, it's. It's interesting what you're saying because it's like, yeah, you had.
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Coming from. You put a couple. You put your song. You put the
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song about your sister up or the beginning of it up on Tick Tock and
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then it's like, goes viral, like, instantly. Right. I mean, it was like, within
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minutes, I think you said it had, like 100. Yeah. Views. And then you
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follow that up with this. With sometimes. And that's
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explodes too. And I would imagine, because, you
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know, you're probably trying to, like, follow that, and then you have, like, people reaching
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out. You're new to it. And it's like, now all these big, big
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wigs in the industry are like, hey, we want to, you know, be
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a part of what you got going on. And I would imagine that's a lot
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of pressure going into your first ep, thinking, like, okay, is this also gonna. Is
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every song gonna hit that way? I mean, I. I mean, I don't know what
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you were thinking going into that. Yeah, a thought. I think that,
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like, I mean, for
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me, like, I've never.
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There's the natural human
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desire, egos, urges, and then there's
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the purity that's in your heart
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and they both exist. But I think that
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what I know that I look for and what my
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purpose is has always been clear to me, even
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when
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I've been struggling a lot, I guess, with purpose in the last two years of
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what that means when I don't really know what I believe in and having a
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worldview, because I feel like a lot of things start there or in
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my life. Growing up, I felt that they did. I had a strong Sense of
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purpose. Until my sister passed away.
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Sure. And. But
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when it comes to like, just, I guess, a smaller
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version of the purpose when it comes to music, I know that it's.
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For me, I enjoy connecting with others.
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That helps me feel less isolated. They feel less isolated. That
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goes down to the one person. So I'm here for the one person,
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not for, you know, the
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hundreds, thousands, millions. It's. The
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individual is. Is the most important thing. I think, of
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course, you necessarily can't. You can't, like,
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provide for yourself and, like, be able to sustain your life with, like,
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one person. So there's like, that kind of
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balance, like, of me
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knowing that what I really care about and then, yes, the.
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The like, I hope that this can, you
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know, be consistent and
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those things, like, battling each other. And I think that was a lot of my
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first. My first
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time, you know, we had first. First project, we'll call it.
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It just was kind of valuing those things because I think, like,
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granted, I think if I just. And there's no going back and I
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would not change a thing about it, but if I just kept putting out music,
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you know, like, I didn't put out music for a year and a half, of
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course, like, nothing like, oh, really? Oh, you
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got. You know what I mean? Because of the situation, probably with the record
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deal and all the other things. Yes. But it's like, dude, why would
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you tell me that? Girl, tell me, go on my voicemail and
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post another one. It's not that deep. Like, it's literally not
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that serious. Like, I was a new artist. All you need to do is put
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one foot in front of the other. Like, I could be. I can be an
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artist manager. I could be a lawyer. Like, I'm not playing. Like,
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it's not even. Like, it's kind of crazy what I think about it. I was
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like, yeah, T didn't put out music for a year and a half. Like, that's
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crazy. Anyway,
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I didn't. And I think that, you know, outside of even that, when you
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go from like, yes, I had. I had my
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band, Wendy Lane in high school. And like, that was like our. Our indie
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dream pop thing that we did. Oh, okay. I don't think we talked about
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that last time. That's cool. Oh, yeah. So we were in high school.
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Aiden, he worked on. He co produced on this project. And then
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Coco, who's shot the sailor song video, we were all in a band together
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called Wendy Lane. And it was very indie dream pop.
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Like, very kind of beach house inspired. Mac
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DeMarco team Impala. This is like 2017. So
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like we were, we were really cool, but like,
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we felt really cool, but, you know, we, we were
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really coming into like the wonders of music
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and, you know, creating and that kind of stuff.
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And so we had that going for us. It's just, you know, they were a
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year older than me, so they went off to school. It became a little
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harder. And so we never really, we never really got to
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like put together the album we
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wanted to, but we, we had, we definitely
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had a pretty big
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following. Like I. And I don't even know how it happened because I don't know
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how the Internet and discovery worked in
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2016 or
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2017 because I just wasn't thinking about that then. Sure.
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So I don't know how discovery worked back then, but
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we, I think we had like, maybe like almost like
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200,000 monthly listeners, you know, and we just
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like made that like. And I remember we were so
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excited, I think, because it would get picked up on like,
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like Reddit and like indie forums, band camp, that kind of
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stuff. So like there were. It was really, really awesome. But that
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was like, you know, a very, a different
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experience from like going into the,
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you know, the world of like, okay, we're sitting down
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with the major label, we're putting out this, this thing. And also there was
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just so much, just, there was so much of a learning as far as like,
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what did, what did
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my taste, my true taste as an artist sound like outside
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of like a band context, outside of anything. So
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I think it's just your project, right? I mean, you're not in a band. Yeah,
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they're really opinions and it's just you and what you want to be and
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sound like. Yeah. So there was just a lot of learning
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really that needed to. To
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happen. And you know, I think that
377
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it's one of those things that just takes the course of
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time for you to see and
379
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learn from, you know. So there's some things that you could say
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like, yeah, that was definitely just the music business being the music business.
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But then there's another piece of it that's like, that was just a 20 year
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old being a 20 year old trying to figure out
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who they are, you know, in the wake of going through like the
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biggest heartbreak of grief, you know. So
385
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there were a lot of happening, different factors. Yeah. It was like your
386
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uncle, your grandparents, like your sister. Then you got broken up with.
387
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It was like you just were getting, then covet. It was left. Yeah.
388
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Just getting rushed. It was like, geez, I know It's.
389
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It's crazy. It's definitely crazy to look back on and then,
390
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like, I think with, like,
391
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everything now and, you know, I ended up moving back
392
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home after I was released from my record label. I was
393
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like. I was in London at the time. Oh, wow. I got the call, and
394
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I was like, oh, my God, I'm done.
395
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I'm done for it. Yeah. Did you feel like your. The career was
396
00:25:05,180 --> 00:25:08,220
over at that point, or did you. Or was that not a part of that?
397
00:25:08,730 --> 00:25:12,490
I think it was in the sense of, like, the. The I.
398
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Whatever I thought that I was gonna experience, like, I was like,
399
00:25:16,330 --> 00:25:19,610
yeah, that's just like. I'm like, all of you are
400
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crazy. I'm getting out of here. Like,
401
00:25:23,690 --> 00:25:27,490
you know, I'm just gonna learn how to record and
402
00:25:27,490 --> 00:25:31,210
produce. That was my goal. I was like, I don't have. I was like.
403
00:25:31,210 --> 00:25:34,120
And truly, I still feel this way. I would rather sing in a box. Like,
404
00:25:34,120 --> 00:25:37,840
I literally would rather be at the cafe
405
00:25:37,840 --> 00:25:41,520
and I told myself this than, like, ever feel
406
00:25:41,520 --> 00:25:44,480
the way that I did before in the sense of, like,
407
00:25:45,840 --> 00:25:49,440
ever feel that constrained
408
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and ever feel that,
409
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like,
410
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disposable, you know, lack of value,
411
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whatever you want to phrase it. I think. I mean, it's different now because I
412
00:26:06,890 --> 00:26:09,850
spent a year kind of reconnecting completely with
413
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my. My family, my friends, my. My life. Like, my
414
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life. Not the life that I was, like, trying to.
415
00:26:20,890 --> 00:26:22,490
Not the life that I was trying to.
416
00:26:29,930 --> 00:26:33,250
Trying to have. I don't know how to explain it. I think when I was
417
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younger, I just kind of had a lot of expectations of
418
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what it is to be an artist. You know what I
419
00:26:40,730 --> 00:26:44,170
mean? Like, I. I remember, like, if we're speaking, like,
420
00:26:45,130 --> 00:26:46,810
even backward times, like,
421
00:26:48,970 --> 00:26:51,700
I was. It. It really was. I
422
00:26:52,980 --> 00:26:56,780
struggled a lot with, you know, imposter syndrome and
423
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also embarrassment
424
00:27:00,420 --> 00:27:03,380
one, I think, because, you know, I just got out of the period of time
425
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where my sister passed away. And, you know, when my sister passed away,
426
00:27:07,180 --> 00:27:10,180
like, our family, like, we knew a lot of people,
427
00:27:10,660 --> 00:27:14,380
and it was like a giant flashlight shine on us. And,
428
00:27:14,380 --> 00:27:17,780
like, everybody feels bad for you, and everybody talks about you, and
429
00:27:18,280 --> 00:27:21,560
they just feel like that poor family, you know?
430
00:27:21,960 --> 00:27:23,960
And then you have, like, a moment of
431
00:27:25,400 --> 00:27:29,160
glitter, and it's like, everything looks really great. They're, like, all so excited.
432
00:27:29,720 --> 00:27:33,520
And then everything after that is just so underwhelming and
433
00:27:33,520 --> 00:27:37,320
anticlimactic. And, like, everybody's kind
434
00:27:37,320 --> 00:27:40,040
of like, oh, that's kind of, like, interesting. Like, you know,
435
00:27:40,840 --> 00:27:44,440
like, she doesn't, like, get engagement. It sounds stupid,
436
00:27:44,940 --> 00:27:48,060
but in, like, my 20 year old head, it was kind of like
437
00:27:49,580 --> 00:27:51,340
I felt this need to like,
438
00:27:53,340 --> 00:27:55,580
live out a dream.
439
00:27:57,500 --> 00:28:00,780
Not even for myself, but for my sister because she was an opera singer
440
00:28:01,180 --> 00:28:04,780
and she always wanted to do it. Like, she was very much like
441
00:28:04,780 --> 00:28:08,380
the, she's like very much
442
00:28:08,380 --> 00:28:11,510
the. Like.
443
00:28:14,070 --> 00:28:17,550
Well, she was in like musical theater and everything. Right. That's what. Yeah, she like,
444
00:28:17,550 --> 00:28:20,870
had the personality of somebody that just like,
445
00:28:21,670 --> 00:28:25,110
would just love. It, you know, Want to be the star.
446
00:28:25,670 --> 00:28:29,430
Yeah. And I'd like, never really, like, felt that
447
00:28:29,430 --> 00:28:33,110
way. And like, I still don't like, I think that like, I, I'm
448
00:28:33,750 --> 00:28:36,150
always thinking about my relationship to
449
00:28:38,900 --> 00:28:42,580
myself and the environment that I'm in and
450
00:28:42,900 --> 00:28:46,740
how does that affect how I see
451
00:28:46,740 --> 00:28:50,420
others and, you know, see myself and very like,
452
00:28:52,420 --> 00:28:56,020
connected to this plane, you
453
00:28:56,020 --> 00:28:59,780
know, because I think that like a lot of our, the younger generation just got
454
00:28:59,780 --> 00:29:03,340
sold on like, a lot of things that just like,
455
00:29:03,340 --> 00:29:07,180
aren't real. Like. Well, yeah, you grew up in a world of
456
00:29:07,180 --> 00:29:10,660
Instagram and Tick Tock and everyone's life looks perfect all the time. It's like,
457
00:29:10,740 --> 00:29:14,500
yeah, you know, exactly. And it's. But it's
458
00:29:14,500 --> 00:29:16,180
like I've always just kind of been like.
459
00:29:18,340 --> 00:29:21,820
Like when I was younger and I was a kid, like, yeah, there were artists
460
00:29:21,820 --> 00:29:25,140
that I looked up to that I definitely idolized. But
461
00:29:26,500 --> 00:29:30,100
I don't know, maybe it's just part of, you know, one, it's
462
00:29:31,410 --> 00:29:34,570
being the age that I am and, you know, maturing and then the second is
463
00:29:34,570 --> 00:29:38,130
like being in it where it's just feels like it's not
464
00:29:38,210 --> 00:29:41,250
good for society, you know,
465
00:29:41,890 --> 00:29:45,690
that's my take. I think
466
00:29:45,690 --> 00:29:49,410
it's also like, for like, you know, real people. Does that make
467
00:29:49,410 --> 00:29:52,690
sense? Like, yeah, I think, like, wanting.
468
00:29:55,410 --> 00:29:56,050
Wanting.
469
00:29:59,960 --> 00:30:03,240
I don't know. I don't really know how to explain it that well, but.
470
00:30:04,840 --> 00:30:08,280
Yeah. Can you tell me, do you remember where, where I was?
471
00:30:08,600 --> 00:30:11,920
Yeah, yeah. No, I, I, again, I don't really ask a whole lot of questions.
472
00:30:11,920 --> 00:30:14,480
It's just kind of. We're talking. I think I said, like, how did you, like,
473
00:30:14,480 --> 00:30:17,400
once you got the news that you got lost, you know, that,
474
00:30:18,280 --> 00:30:21,320
that you had lost a deal with the label and you're in, in London and
475
00:30:21,320 --> 00:30:25,130
it's like, are you like, at that point, like, did
476
00:30:25,130 --> 00:30:28,690
you think you wanted to continue doing music? Like, did you know that this. Yeah,
477
00:30:28,690 --> 00:30:31,410
you still were gonna keep doing this and like, obviously
478
00:30:32,610 --> 00:30:35,810
it all worked out and you had another massive
479
00:30:36,210 --> 00:30:39,650
song, you know, after the fact. But like, at that point, were you kind of
480
00:30:39,650 --> 00:30:42,330
defeated or were you just like, I Just need to get out of here, get
481
00:30:42,330 --> 00:30:45,810
home and start over. I, I
482
00:30:45,810 --> 00:30:48,210
definitely was experiencing
483
00:30:50,380 --> 00:30:54,180
that, you know, defeat and heartbreak. There's a song in the Heights
484
00:30:54,180 --> 00:30:57,740
called, I think it's Breathe, but that's like,
485
00:30:58,460 --> 00:31:01,100
I listened to it right after I love in the Heights
486
00:31:01,980 --> 00:31:05,580
and it's exactly that song. I'm just feeling like,
487
00:31:06,380 --> 00:31:10,140
yeah, I had a lot of potential.
488
00:31:10,460 --> 00:31:13,020
I just felt like I had a lot of potential and
489
00:31:14,790 --> 00:31:17,910
you know, it didn't, it didn't
490
00:31:18,870 --> 00:31:21,350
work out. And at the end of the day, like, I'm a,
491
00:31:24,230 --> 00:31:27,830
I'm a number, you know, And I think that really, really
492
00:31:27,830 --> 00:31:31,030
hurt to kind of really wake up and, and
493
00:31:33,430 --> 00:31:36,870
just realize like, you're, you're a number,
494
00:31:37,110 --> 00:31:39,350
you know, it was a business
495
00:31:40,800 --> 00:31:44,400
proposition and then didn't, you know, and it's like I, I,
496
00:31:45,120 --> 00:31:46,880
I gave some of my most
497
00:31:48,560 --> 00:31:51,440
vulnerable, like,
498
00:31:52,640 --> 00:31:54,080
stories and
499
00:31:57,120 --> 00:32:00,000
I don't know, it was, it was a lot, it was a lot to, to
500
00:32:00,160 --> 00:32:03,440
accept and I did. And
501
00:32:04,160 --> 00:32:07,680
when I started to it, you know, I came from
502
00:32:08,160 --> 00:32:11,600
moving back in with my parents and
503
00:32:14,640 --> 00:32:18,120
I taught myself how to record and produce. There was a lot of
504
00:32:18,120 --> 00:32:21,800
Reddit and YouTube and calling my friends. Like I called, you
505
00:32:21,800 --> 00:32:25,360
know, Jen sometimes who made the EP with me, and
506
00:32:26,000 --> 00:32:29,360
you know, she's incredible. She's like very like, you know, studio
507
00:32:29,360 --> 00:32:32,810
badass. I did everything in my bedroom, you know,
508
00:32:33,050 --> 00:32:36,570
and I talked to Aidan
509
00:32:36,890 --> 00:32:40,690
and I met Noah Weinman. There's a lot of different, like, key
510
00:32:40,690 --> 00:32:44,290
people and my friend Eric, he was the first person actually that really
511
00:32:44,290 --> 00:32:47,930
helped me just wrap my mind around
512
00:32:47,930 --> 00:32:51,530
recording and producing. And so
513
00:32:51,530 --> 00:32:54,330
I, I had friends that I could call and I had
514
00:32:55,370 --> 00:32:59,050
a lot of nights alone just spent on YouTube and
515
00:32:59,050 --> 00:33:02,720
like looking at all the different,
516
00:33:02,800 --> 00:33:06,480
like, comparisons of, you know, different
517
00:33:06,560 --> 00:33:10,360
equipment and, you know, realizing I actually didn't need that, a lot
518
00:33:10,360 --> 00:33:13,760
of that equipment. I did everything on a sure microphone for the most part.
519
00:33:15,520 --> 00:33:19,240
And you could still make things sound really big. Like there's just so many things
520
00:33:19,240 --> 00:33:22,520
that I learned along the way that I didn't know. And I think that it
521
00:33:22,520 --> 00:33:26,200
was so nerve wracking because I really did not know what I was
522
00:33:26,200 --> 00:33:29,520
doing. Like, I truly like, yes, I know how to
523
00:33:30,160 --> 00:33:33,280
record my vocals and Ableton and click play and like
524
00:33:35,120 --> 00:33:38,720
pan, you know, but like, I didn't really understand how to make
525
00:33:38,720 --> 00:33:40,880
things sound good. And
526
00:33:42,400 --> 00:33:45,920
I was blown away at how quickly I
527
00:33:46,000 --> 00:33:49,840
started to. And it made sense because also I'm, I'm still in a way
528
00:33:49,840 --> 00:33:53,560
producing alongside other producers. I always have
529
00:33:53,560 --> 00:33:57,200
been, but, you know, I'm kind of like I
530
00:33:57,200 --> 00:34:00,720
wasn't doing it. I wasn't engineering things
531
00:34:00,720 --> 00:34:04,520
except for my vocals for the most part. But then getting involved on
532
00:34:04,520 --> 00:34:08,320
things like learning how to record guitars and the way that
533
00:34:08,320 --> 00:34:11,960
I. That I like to do them the whole entire. Like, this album
534
00:34:12,280 --> 00:34:16,120
at the beach, in every life is a science project. It's an experiment.
535
00:34:16,600 --> 00:34:20,360
Wow. Did you did a lot of those songs that you were starting off or,
536
00:34:20,360 --> 00:34:23,890
like, at your house, make like those original recordings made the
537
00:34:23,890 --> 00:34:27,570
album? Yeah, yeah. Most of them are the original recordings.
538
00:34:27,650 --> 00:34:31,090
Like, all of them.
539
00:34:31,730 --> 00:34:34,530
Wow. All of them, except for the chemistry was the only one that
540
00:34:35,170 --> 00:34:38,810
Aiden and I made that in his studio in la, part of it. And then
541
00:34:38,810 --> 00:34:41,890
we finished it in my house. That was like half and half,
542
00:34:42,450 --> 00:34:46,250
but in normalcy. Also, I made with eight with
543
00:34:46,250 --> 00:34:49,819
Noah and his. It's like his studio
544
00:34:49,819 --> 00:34:53,259
bedroom kind of thing. Like, similar setup to mine, maybe a little bit more
545
00:34:53,259 --> 00:34:56,739
robust. Wow. But everything
546
00:34:57,619 --> 00:35:01,219
in my bedroom, you know. So you got home.
547
00:35:01,219 --> 00:35:05,059
Yeah, you got home and then started learning, right? Learning how to engineer,
548
00:35:05,059 --> 00:35:08,499
learning how to record. And then when you started writing your songs,
549
00:35:09,059 --> 00:35:12,779
did you, like, realize it was becoming an album? Like, how long
550
00:35:12,779 --> 00:35:16,180
did this process kind of take you? I
551
00:35:17,700 --> 00:35:21,460
wanted it to be an album, but I was kind of like. It was kind
552
00:35:21,460 --> 00:35:24,780
of like a time where, like, my team was like, you know, albums are really
553
00:35:24,780 --> 00:35:28,420
big deal, sweetie, you know, and, like, you're not
554
00:35:28,420 --> 00:35:32,060
there yet. And it's like, if I
555
00:35:32,060 --> 00:35:35,140
don't put out a damn album, I'm gonna lose my mind.
556
00:35:36,980 --> 00:35:40,580
But no, I definitely was like, this is coming to.
557
00:35:40,880 --> 00:35:44,400
This is coming to be something. We're just throwing. We're just doing
558
00:35:44,640 --> 00:35:48,320
singles right now. And I was having a lot of fun. Like, I like that
559
00:35:48,320 --> 00:35:51,400
I was taking my piece. I needed to, because what the hell am I waiting
560
00:35:51,400 --> 00:35:54,960
around for? Like, yeah, I'm gonna put out. And every and every
561
00:35:54,960 --> 00:35:58,400
artist has their own way of doing things that makes
562
00:35:58,960 --> 00:36:02,400
their. Their storytelling and their delivery
563
00:36:02,480 --> 00:36:06,240
feel what is best and right
564
00:36:06,240 --> 00:36:10,040
to them. So I totally respect and understand however people choose to roll out their
565
00:36:10,040 --> 00:36:13,800
music. I was in a case where, like, I can't
566
00:36:13,800 --> 00:36:17,360
just put out an album and expect everybody to, like, be like, that was
567
00:36:17,360 --> 00:36:21,160
great. Like, imagine if I put out an entire album, no one
568
00:36:21,160 --> 00:36:24,880
would have ever heard any of this music, most likely, you
569
00:36:24,880 --> 00:36:28,600
know, so it's like the process of, okay, I'm just gonna put one foot in
570
00:36:28,600 --> 00:36:32,360
front of the other as I go. Please be rude. Was an example
571
00:36:32,360 --> 00:36:36,040
of, like, the joy. Like, the
572
00:36:36,040 --> 00:36:39,570
childlike joy that you can have is.
573
00:36:40,290 --> 00:36:44,130
Is incredible, you know, And I had. I Had lost that kind of
574
00:36:45,330 --> 00:36:49,090
that passion and that lust for music because I
575
00:36:49,090 --> 00:36:52,890
was just so. Like, I was not into. Let me get in
576
00:36:52,890 --> 00:36:56,530
this session. Let me get in a session. And like,
577
00:36:57,730 --> 00:37:01,370
it just was uninspiring to me. Even though I, like, made a lot of
578
00:37:01,370 --> 00:37:04,980
great friends through it, Even if we made a great song together, like, nothing.
579
00:37:04,980 --> 00:37:08,820
Like, it just. It wasn't my. That
580
00:37:08,820 --> 00:37:12,260
wasn't gonna be my full potential. That wasn't gonna be my. My highest form of
581
00:37:12,260 --> 00:37:16,060
creating, you know? And I only learned that by like pressing buttons,
582
00:37:16,060 --> 00:37:19,740
random buttons, until I realized what they meant, you know?
583
00:37:19,900 --> 00:37:22,940
And like, it was so exciting. Like, I.
584
00:37:24,060 --> 00:37:27,660
I just. I remember being in my room
585
00:37:27,660 --> 00:37:31,470
at 2am and recording
586
00:37:31,470 --> 00:37:35,030
something and then hearing it back and being like, is this sound good?
587
00:37:35,030 --> 00:37:38,750
Like, does this sound good? It's like nothing like it. There's
588
00:37:38,750 --> 00:37:42,430
a sense of just like. It's like. It's a
589
00:37:42,430 --> 00:37:45,870
feeling of power, but it's like a healthy power, you know, it's like a feeling
590
00:37:45,870 --> 00:37:49,670
of like, I don't know, like my finger. Like my fingers are on fire.
591
00:37:49,670 --> 00:37:53,110
Like I could just run around the room. I don't know.
592
00:37:54,790 --> 00:37:58,180
Well, yeah, it must have been Phil. Pretty good though, to coming even with
593
00:37:58,180 --> 00:38:02,020
normalcy or Please, please be rude. Like, you put these songs out and
594
00:38:02,020 --> 00:38:05,740
they. And they do. Well, it wasn't like that. You know, you
595
00:38:05,740 --> 00:38:09,580
came back and no one care. It was like you had left the label
596
00:38:09,580 --> 00:38:12,820
and all that things. And then you still put these songs out and then it's
597
00:38:12,820 --> 00:38:16,660
still, you know, they do. Really? Yeah. Good numbers. That must have been
598
00:38:16,660 --> 00:38:19,980
pretty validating. For sure. I think it was like,
599
00:38:20,700 --> 00:38:23,840
also, I feel like all
600
00:38:25,360 --> 00:38:28,640
suspending your expectation and disbelief is
601
00:38:30,160 --> 00:38:33,840
someone can tell you to do that. But it's just one of the things that,
602
00:38:33,840 --> 00:38:37,600
like, there is a surrender that happens on your own body's accord.
603
00:38:38,320 --> 00:38:42,000
And I think I had reached that moment of
604
00:38:42,880 --> 00:38:46,680
being like, yeah, I don't care. Like,
605
00:38:46,680 --> 00:38:50,110
I just don't. I don't. I don't care
606
00:38:52,110 --> 00:38:54,990
because I'm here to
607
00:38:56,990 --> 00:39:00,670
create. And I know that
608
00:39:00,670 --> 00:39:03,710
this entire time I've had a community
609
00:39:04,590 --> 00:39:08,270
that's really enjoyed my music. And I was so
610
00:39:08,270 --> 00:39:10,910
focused on the
611
00:39:12,510 --> 00:39:15,710
suits or whoever that I was dealing with constantly
612
00:39:16,570 --> 00:39:19,530
that I did not have a direct relationship with my community.
613
00:39:20,970 --> 00:39:24,650
And when all that noise is gone,
614
00:39:25,930 --> 00:39:29,490
you see the beautiful. The
615
00:39:29,490 --> 00:39:33,330
beautiful gems and rubies in front of you. So I spent a lot
616
00:39:33,330 --> 00:39:36,730
of time just connecting with my community.
617
00:39:37,290 --> 00:39:40,410
And that was also something that was very
618
00:39:40,970 --> 00:39:44,680
healing and fulfilling to me. And of course, everything
619
00:39:44,920 --> 00:39:48,520
that's, you know, where things have Grown now is incredible to
620
00:39:48,520 --> 00:39:52,040
see. Sure. But I feel just as
621
00:39:52,040 --> 00:39:55,640
loved, you know, I really feel like I. Something
622
00:39:56,520 --> 00:39:59,880
in my perspective in what
623
00:40:01,720 --> 00:40:05,160
audience means to me and the connection that we have
624
00:40:06,360 --> 00:40:10,200
that was healed in the moment of. Away from all this stuff.
625
00:40:10,200 --> 00:40:12,350
So it's not like I feel. I'm.
626
00:40:14,430 --> 00:40:17,470
I'm not. There's nothing overpowering
627
00:40:17,950 --> 00:40:21,670
the real reason why we're here. And that's. That's
628
00:40:21,670 --> 00:40:24,590
really beautiful to me. And it was super important because I don't think I was
629
00:40:24,590 --> 00:40:28,030
mature enough. I wasn't ready for this
630
00:40:28,270 --> 00:40:31,990
chapter of my life. There was. I wasn't ready for it. Yeah.
631
00:40:31,990 --> 00:40:35,550
I mean, yeah, I was gonna say. Because then you. Sailor Song is just.
632
00:40:35,870 --> 00:40:39,710
It's the biggest record you've put out. And that was after, like, you had already.
633
00:40:40,230 --> 00:40:43,710
It seems like you've already done the healing process and you reach. You got back
634
00:40:43,710 --> 00:40:47,390
with your community and you started to learn how to record your own songs. And
635
00:40:47,390 --> 00:40:50,790
then this next even bigger moment happens for you.
636
00:40:52,470 --> 00:40:53,830
Yeah, it was.
637
00:40:56,390 --> 00:40:59,670
It's so crazy. I think it's like it's almost a year. I guess I don't
638
00:40:59,670 --> 00:41:03,510
have really a concept of time. We're entering summer, May, June, July.
639
00:41:03,510 --> 00:41:07,290
Okay, so it was July, like third. Something like that.
640
00:41:07,290 --> 00:41:10,770
I like, shared Sailor Song before. I had, like, done that little
641
00:41:10,770 --> 00:41:12,810
acoustic thing online too.
642
00:41:15,770 --> 00:41:17,290
I definitely did not have any.
643
00:41:19,210 --> 00:41:22,970
Anything of the sort, except for I love Sailor Song. I wrote
644
00:41:22,970 --> 00:41:26,690
it and when I recorded it, you know, send it to my
645
00:41:26,690 --> 00:41:30,370
friends, as I did with most of the songs at the
646
00:41:30,370 --> 00:41:32,890
time. Every time I was making things all the time,
647
00:41:34,140 --> 00:41:36,700
and I was like, just
648
00:41:37,740 --> 00:41:41,460
high. I was just high off of making music
649
00:41:41,460 --> 00:41:45,220
that I loved. And this was no
650
00:41:45,220 --> 00:41:48,060
different, you know, dancing and
651
00:41:49,340 --> 00:41:53,100
sending it to my friends and, you know, talking. I remember talking to my
652
00:41:53,100 --> 00:41:56,940
good friend Taimi about it, and we were
653
00:41:56,940 --> 00:42:00,240
just going back and forth about the song and they were like,
654
00:42:02,480 --> 00:42:06,120
just so in love with it, you know, and it's so
655
00:42:06,120 --> 00:42:09,840
amazing to be aware of something so special and, like, what it means to you
656
00:42:09,840 --> 00:42:13,440
and then for that to happen because it makes sense to me
657
00:42:13,600 --> 00:42:16,080
because it was so loved. But,
658
00:42:17,280 --> 00:42:20,640
like, I don't know. I would have. It would have just been. It would have
659
00:42:20,640 --> 00:42:24,280
been as fulfilling, you know, I think just like
660
00:42:24,280 --> 00:42:27,800
my concept, I guess I'll fulfillment, like.
661
00:42:28,120 --> 00:42:30,680
And I think another piece of. It's like, I'm aware that it could go away,
662
00:42:30,680 --> 00:42:34,200
like, you know, as incredible and
663
00:42:35,000 --> 00:42:38,280
kind of the path that I believe I'm on is
664
00:42:38,920 --> 00:42:42,440
wonderful. And it's something that's. There's an opportunity to really
665
00:42:42,600 --> 00:42:46,440
Connect with others and impact others and you know, especially with things on, on,
666
00:42:46,600 --> 00:42:49,880
you know, heavier topics like grief. That means so much to me.
667
00:42:50,280 --> 00:42:54,130
But I also know that anything can happen and
668
00:42:54,770 --> 00:42:58,490
you know, life is unpredictable, it's short, you know, you
669
00:42:58,490 --> 00:43:00,770
don't, there's so many twists and turns of
670
00:43:02,290 --> 00:43:05,890
the business and I know ultimately that my,
671
00:43:06,690 --> 00:43:10,410
the thing that means the most to me is just knowing that I'm also loved
672
00:43:10,410 --> 00:43:14,050
by the people around me and my, my
673
00:43:14,050 --> 00:43:17,490
family and my friends and my dogs. And
674
00:43:18,170 --> 00:43:21,690
that's kind of like the last standing thing, I think. So
675
00:43:22,810 --> 00:43:26,490
it's, it's a different, it's a different world to be in now with
676
00:43:26,490 --> 00:43:30,290
this, you know. And it's also interesting too because like
677
00:43:30,290 --> 00:43:34,090
now I'm on tour a lot and so your world
678
00:43:34,090 --> 00:43:37,650
kind of becomes smaller in some sort of sense with the people that you are
679
00:43:37,650 --> 00:43:41,450
around. I'm grateful because my family travels with me, so that's amazing.
680
00:43:41,930 --> 00:43:45,680
Yeah. So you know, they're very involved in my life but you
681
00:43:45,680 --> 00:43:49,040
know, it's like, it's important
682
00:43:49,360 --> 00:43:52,960
for me to one
683
00:43:52,960 --> 00:43:56,720
just like take care of my well being and my health and my sleep and
684
00:43:57,600 --> 00:44:01,120
all those different things. But also make sure that I'm staying in touch with
685
00:44:01,520 --> 00:44:05,320
the people that matter to me. Which it's, it's a lot to
686
00:44:05,320 --> 00:44:08,880
balance for sure. Oh yeah, definitely. Yeah. Oh my
687
00:44:08,880 --> 00:44:12,400
gosh. Well, the album is amazing. I,
688
00:44:12,400 --> 00:44:16,200
I, I, it's crazy that you did it all kind
689
00:44:16,200 --> 00:44:19,600
of yourself. I mean that I would have never guessed that going into the conversation.
690
00:44:19,680 --> 00:44:23,280
That's so cool that you did that. I think Survivor's Guild is
691
00:44:23,600 --> 00:44:27,200
such a deep song. Like that was a very
692
00:44:27,200 --> 00:44:30,480
vulnerable one for you to put out. But yeah,
693
00:44:30,800 --> 00:44:34,080
yeah, I'm sure that was a rough one to write.
694
00:44:35,120 --> 00:44:38,890
Yeah, I mean it came to me pretty, it
695
00:44:38,890 --> 00:44:42,730
was like right there, Aiden had come up with these chords, I had heard
696
00:44:42,730 --> 00:44:46,450
them. I was like, Aiden, what are those chords? It's
697
00:44:46,450 --> 00:44:50,250
like Gigi, like Aiden and he gave it to me.
698
00:44:51,210 --> 00:44:55,010
So. Thank you, Aiden. Well, I already wrote to it. I was like, I was
699
00:44:55,010 --> 00:44:58,730
like, by the way, I wrote to your chords because they're like very interesting
700
00:44:58,730 --> 00:45:02,530
chords. They're not, it's not just like a kind of, you know, a basic
701
00:45:02,530 --> 00:45:05,930
center for chords. Chord progression. It's a really cool chord
702
00:45:05,930 --> 00:45:09,770
progression. And he heard it, he was like, yeah, we gotta record this,
703
00:45:09,770 --> 00:45:13,610
you know, and it just,
704
00:45:15,290 --> 00:45:19,010
it flow, it just flowed. That one just flowed. I think it
705
00:45:19,010 --> 00:45:22,250
was like over time I've kind of seen
706
00:45:24,010 --> 00:45:27,690
and especially the year where I was away from the music world
707
00:45:29,700 --> 00:45:31,940
that's where I really started to see a lot of my,
708
00:45:33,700 --> 00:45:36,340
like, the deconstruction of Christianity
709
00:45:37,780 --> 00:45:41,620
and my upbringing and where that
710
00:45:41,700 --> 00:45:45,420
intersects with my grief. I don't know. It's like
711
00:45:45,420 --> 00:45:49,220
a big explosion. Yeah. And so I think.
712
00:45:49,220 --> 00:45:51,940
I mean, a lot of the album is about that. And, like, there is that
713
00:45:51,940 --> 00:45:55,630
love factor, that very pure. That pure kind of
714
00:45:55,630 --> 00:45:58,910
love piece of it all where, like,
715
00:45:59,070 --> 00:46:02,870
I'm going through dealing with the grief and
716
00:46:02,870 --> 00:46:06,670
the deconstructed. Deconstructing. But then there's this
717
00:46:07,790 --> 00:46:10,670
pillar. It's just something I can hold on to
718
00:46:11,550 --> 00:46:15,350
throughout all of it. But,
719
00:46:15,350 --> 00:46:17,630
yeah, definitely. It was definitely a heavy one.
720
00:46:19,150 --> 00:46:22,990
Do you feel like it's therapeutic when you get these songs out like that? Oh,
721
00:46:22,990 --> 00:46:26,670
my gosh, yes. I remember when I wrote Fable, I was like, thank freaking
722
00:46:26,670 --> 00:46:30,350
God. I needed to get this one up because
723
00:46:30,350 --> 00:46:33,310
it's more so, like, I think with grief. Like,
724
00:46:35,950 --> 00:46:39,550
it's taken me years and years to understand
725
00:46:40,270 --> 00:46:42,270
or to see the way.
726
00:46:44,670 --> 00:46:48,430
See who I would become. Because when my sister passed
727
00:46:48,430 --> 00:46:51,900
away, I remember this pastor was at my house,
728
00:46:51,980 --> 00:46:55,660
and he told me this thing,
729
00:46:55,660 --> 00:46:58,820
and I was so angry. I was like, I wanted this man out of my
730
00:46:58,820 --> 00:47:01,580
house. Like, get the hell out of my house.
731
00:47:03,020 --> 00:47:05,580
But he said, how you handle your grief
732
00:47:06,780 --> 00:47:09,740
right now will affect you for the rest of your life.
733
00:47:10,380 --> 00:47:14,140
It's going to affect you. Your relationships
734
00:47:14,140 --> 00:47:17,860
is going to affect, you know, your work. It's going to affect your future
735
00:47:17,860 --> 00:47:21,140
children. It's going to affect your spouse,
736
00:47:22,740 --> 00:47:26,580
everything. It's going to affect everything in your life.
737
00:47:26,980 --> 00:47:29,780
So how you deal with it is so important.
738
00:47:31,460 --> 00:47:35,220
And I'm like, I literally. My sister died today. You know
739
00:47:35,220 --> 00:47:39,060
what I mean? And I'm like, you're that heavy thing. I was like, yes,
740
00:47:39,220 --> 00:47:42,980
this is great. This is exactly it. Like, I have more responsibility.
741
00:47:43,570 --> 00:47:47,330
Yes. And I feel like as much as it was,
742
00:47:49,970 --> 00:47:52,570
maybe he didn't even need to tell me that, like, in the grand scheme, because
743
00:47:52,570 --> 00:47:55,810
I would have figured it out, therapy and stuff, but
744
00:47:57,010 --> 00:48:00,290
I never forgot it. And I think that. I think about that
745
00:48:00,690 --> 00:48:04,330
as I've gone from the early 20s to now
746
00:48:04,330 --> 00:48:08,090
25 to I'm sure when
747
00:48:08,090 --> 00:48:11,820
I'm 30, how my grief changes and how
748
00:48:11,820 --> 00:48:14,940
it affects how I approach life.
749
00:48:15,900 --> 00:48:19,660
And it's very. It's
750
00:48:19,660 --> 00:48:23,340
very weird because it follows you
751
00:48:23,340 --> 00:48:26,980
and it changes and evolves. And, like, sometimes,
752
00:48:26,980 --> 00:48:30,220
like, I think, like, maybe I'm like, I won't.
753
00:48:32,620 --> 00:48:36,260
There's, like, that longing and that loss that exists, and then
754
00:48:36,260 --> 00:48:39,980
there's, like, the harrowing, dark side of it, and then there's, like,
755
00:48:40,300 --> 00:48:43,420
okay. I'm
756
00:48:45,260 --> 00:48:48,900
dealing with new concerns based upon my age. I'm dealing with
757
00:48:48,900 --> 00:48:51,900
new fears based upon my age. I. You know,
758
00:48:52,940 --> 00:48:56,740
it just does things to you. Like. Just like, anything. Like, I
759
00:48:56,740 --> 00:49:00,500
think, like, if it's, like, a physical trauma or you're like,
760
00:49:00,500 --> 00:49:03,660
you know, something crazy happens. And, like, those people who get, like,
761
00:49:03,980 --> 00:49:07,670
diseases year. Years later after, like, it's the
762
00:49:07,670 --> 00:49:11,070
progression of how a certain trauma changes you.
763
00:49:11,790 --> 00:49:15,470
And, you know, I'm in therapy for that, but I think there's
764
00:49:15,470 --> 00:49:19,190
only so much you can do. And I think something like
765
00:49:19,190 --> 00:49:22,750
the writing process of it, like, I've seen the way the things that I write
766
00:49:22,750 --> 00:49:26,510
about have changed the way that I. There were things that
767
00:49:27,310 --> 00:49:30,990
I would have just never imagined
768
00:49:31,460 --> 00:49:34,500
or could have fathomed, and
769
00:49:35,940 --> 00:49:39,740
I. It had to be five years later to articulate it. Like, imagine,
770
00:49:39,740 --> 00:49:42,740
like, it's, like, pulling through.
771
00:49:44,180 --> 00:49:47,980
Like, if there was just, like, this big building that collapsed or
772
00:49:47,980 --> 00:49:51,220
something. You have to find every single
773
00:49:52,020 --> 00:49:55,620
piece of it, you know, or whatever they do. I don't know what they do,
774
00:49:55,620 --> 00:49:59,470
but it's like, I had to find
775
00:49:59,790 --> 00:50:02,990
it all. And there are things I still haven't found yet. And so there's a
776
00:50:02,990 --> 00:50:06,790
frustration of, like, the anticipatory grief that
777
00:50:06,790 --> 00:50:10,150
you haven't experienced yet. Like a wedding day, for example. Like,
778
00:50:10,150 --> 00:50:13,710
anybody who's lost their. Lost their parent, you
779
00:50:13,710 --> 00:50:17,390
know, no matter how old they are, they. They know that that day is going
780
00:50:17,390 --> 00:50:20,990
to come someday and that living in that purgatory
781
00:50:21,070 --> 00:50:24,880
is just a different kind of heartbreak. It's still a
782
00:50:24,880 --> 00:50:28,680
heartbreak versus them actually getting married on that day, and their
783
00:50:29,000 --> 00:50:32,680
parent is walking them down the aisle, you know, So I think it's,
784
00:50:32,680 --> 00:50:34,360
like, very.
785
00:50:36,040 --> 00:50:39,760
Songwriting is the greatest gift that
786
00:50:39,760 --> 00:50:43,480
I've been given, one of the greatest gifts, I think,
787
00:50:43,480 --> 00:50:46,840
you know, people. And, like, my. The people in my life come first.
788
00:50:47,080 --> 00:50:50,850
But that is the. The personal
789
00:50:50,930 --> 00:50:54,570
gift of being able to
790
00:50:54,570 --> 00:50:58,050
understand things. Like, sometimes I understand
791
00:50:58,210 --> 00:51:01,330
things because I wrote about it, and I look back at what I wrote. I'm
792
00:51:01,330 --> 00:51:03,570
like, oh. And
793
00:51:05,570 --> 00:51:09,330
being able to also package it in a way that's satisfying to me because
794
00:51:09,330 --> 00:51:12,450
I just. That's how I am. And I love music, and I love
795
00:51:12,690 --> 00:51:16,530
hearing things in a way that's connected to the. The melody
796
00:51:16,530 --> 00:51:20,370
and the lyric and the rhyme. And, like, there's so many things that, like,
797
00:51:20,450 --> 00:51:21,890
make something that is so,
798
00:51:24,450 --> 00:51:28,130
like, such an annoyance to me and
799
00:51:28,210 --> 00:51:31,090
such a point of
800
00:51:31,890 --> 00:51:35,410
negativity and turning that into something beautiful and being like,
801
00:51:35,410 --> 00:51:38,650
yes. And then somebody else from the other side will be like, oh, my God.
802
00:51:38,650 --> 00:51:41,800
Like, that was so satisfying to me as well. So
803
00:51:42,200 --> 00:51:45,320
it's a really big blessing to be able to have
804
00:51:46,200 --> 00:51:49,720
songwriting that helps me figure out
805
00:51:50,920 --> 00:51:53,960
what I'm feeling. It's the. It's the biggest relief.
806
00:51:54,440 --> 00:51:58,240
It's like a massage. I love it. Well, I
807
00:51:58,240 --> 00:52:01,840
think the album. Excuse me. I think the album is incredible. And I
808
00:52:01,840 --> 00:52:05,520
appreciate your time, Gigi, for coming back and doing this. You're. You're so fun to
809
00:52:05,520 --> 00:52:09,210
talk to. So thank you for your time today. I have one more question.
810
00:52:09,210 --> 00:52:11,810
I asked you this last time, but I'm gonna ask it again if you have
811
00:52:11,810 --> 00:52:13,650
any advice for aspiring artists.
812
00:52:15,570 --> 00:52:17,890
I remember when you asked me that. I wonder what it said.
813
00:52:20,130 --> 00:52:23,770
I think it's just
814
00:52:23,770 --> 00:52:25,730
follow the thing that moves you
815
00:52:27,490 --> 00:52:30,610
and wherever you feel pulled to
816
00:52:31,570 --> 00:52:34,950
go there and find
817
00:52:38,230 --> 00:52:41,590
that. That reason
818
00:52:43,030 --> 00:52:46,710
that. That it means so much to you and,
819
00:52:50,070 --> 00:52:53,830
you know, do it for the love of it, you know? And if
820
00:52:53,830 --> 00:52:57,670
you feel like that's not kind of where you're at, I
821
00:52:57,670 --> 00:53:01,510
think it's important to evaluate maybe why, if it's a. If it's the circumstances,
822
00:53:01,590 --> 00:53:05,300
then. And there's nothing you can do about it than have
823
00:53:05,300 --> 00:53:09,060
grace for yourself. I think that having grace for yourself and
824
00:53:09,700 --> 00:53:13,460
knowing that things will fall as they're meant to is important. But
825
00:53:13,540 --> 00:53:17,300
most importantly, not every day is going to be a good day, and
826
00:53:17,540 --> 00:53:20,980
not every day is going to be a great creative day. But,
827
00:53:22,420 --> 00:53:26,060
you know, you're still an artist, and you still love it. Make as long as
828
00:53:26,060 --> 00:53:29,910
that. That the
829
00:53:29,910 --> 00:53:33,390
light can dim sometimes, but
830
00:53:33,470 --> 00:53:37,150
don't ever let it go out.
831
00:53:37,790 --> 00:53:38,750
That's the goal.
832
00:53:53,960 --> 00:53:57,400
Backward, bring it backwards, bring it
833
00:53:57,480 --> 00:53:59,720
back, bring it back.