Dec. 8, 2025

BiB: Chris Kelly (Hillhaven) - How Lindsay Lohan Inspired My Rock Career!

What if your entire journey as a musician started with a Lindsay Lohan movie? On this episode of Bringin’ It Backwards, Adam Lisicky sits down with Chris Kelly of Hillhaven, who opens up about growing up in the Philadelphia suburbs, finding inspiration in the unlikeliest places (think Freaky Friday), and the rocky path from bedroom guitarist to fronting his own band.

Chris Kelly shares how music was always swirling around his family—even if it wasn’t always encouraged as a career—and how a chance at the original School of Rock set him on a path that took him from playing Pink Floyd covers as a kid to headlining real venues in Philly before the age of 14. You'll hear how he built his skills through countless bands that fizzled, what it takes to assemble a dream team of seasoned musicians when you’re starting a new project in your thirties, and his honest, sometimes vulnerable take on stepping into the spotlight as a lead vocalist for the first time.

If you’re curious about the behind-the-scenes of launching a new band, navigating creative insecurities, and the lessons Chris Kelly learned the hard way, you’ll want to stick around for this episode. Don't forget to subscribe to Bringin' It Backwards for more unfiltered stories from the artists shaping tomorrow’s music.

We'd love to see you join our BiB Facebook Group

Transcript
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What is going on? It is Adam. Welcome back to Bringin It Backwards, a podcast

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where both legendary and rising artists tell their own personal stories

3
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of how they achieve stardom. On this episode, we had

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a chance to hang out with Chris of the band Hillhaven

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over Zoom Video. Chris was born and raised outside

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of Philly in Pennsylvania and talks about how he got into music.

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Started playing guitar at a very early age. Actually, you'll never guess

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the movie that got him into guitar. I'll give one hint. It

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stars Lindsay Lohan. He then ended up attending

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like the first School of Rock. His mom had to let him know, you know,

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Jack Black isn't going to be there, but you can go to School of Rock.

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He did that from 10 or 11 on through high school.

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He talked about the first bands he was in, what it was like starting

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Hillhaven and going from guitar player to

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just the front man. He's a really cool story about how he

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was seeing if anyone would like his voice.

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So he sent out a couple demos to people. They

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didn't know it was him and then he got some feedback

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that way. You can watch our interview with Chris on our Facebook page and YouTube

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channel at Bringin It Backwards. It'd be amazing if you subscribe to our channel like

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us on Facebook, follow us on Instagram, Twitter and Tik Tok at

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BringinBackPOD. And if you're listening to this on Spotify, Apple Music,

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Google Podcasts, it would be incredible if you follow us there as well

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and hook us up with a five star review. We'd appreciate your support.

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If you follow and subscribe to our podcasts. Wherever you listen to

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podcasts, we're Bringing. It Backwards with Hillhaven.

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Bringin it Backwards.

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Bringin it backwards. Bringin it backwards.

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Bringin it backwards. Bringin it backwards.

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Bringin it Backwards. Cool

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brother. Well, I'm Adam. So nice to meet you and this is about

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you and your journey in music. And we'll talk about

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obviously the, the project here you're, you're working on now.

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So just always kind of start off with your origin story. Where were you born

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and raised? So born and raised in pa. Still live there.

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I came up in Bucks County. I now live in Bethlehem. So it's

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about an hour apart but like general kind of Philly suburbs

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was where I came from. Do you come from like a creative or like a

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musical family at all? Creative for sure.

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More on, more on my like grandparents and

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especially my, my dad's parents. His dad was

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like an artist, like a painter, like watercolor and stuff.

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And my dad was always, you know, good at.

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Drawing and like, designing stuff and like, you know,

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any, any like, you know,

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entertainment center or like, you know, even all the way to the deck on the

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back of our house. Like, my dad would always be the one to build that

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stuff. And he did play guitar a little bit.

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He just had an acoustic laying around that he would just kind of

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jangle some chords on every now and again. But he, he never, he never got

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too deep into the creative side of things.

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And I think, I think he probably would

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have, you know, if. I mean, he was, he was born

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in 59, so like back then,

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you know, kind of like working class stuff, like, I don't really think

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they encouraged creative. Right. It's

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very much going to go to. Your parents and be like, I'm going to be

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in a band. They're like, yeah, you know. Sure you are.

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Yeah. So, yeah, it was just kind of. I don't know. I

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don't know if he ever had that conversation with his parents. But

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also like, you know, the, the parent child role was like, way different

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back then. You know what I mean? So you probably didn't really have conversations like

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that with your parents. Your parents are just like, this is what life is going

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to look like for you. Do you understand? Deal with it.

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Yeah. But yeah, he definitely always had that kind of creative

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bone in him. And. My, his sister,

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Tera Lisicky, she also, like, she worked

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in a bunch of. Honestly, I'm not

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even still super clear on everything that, that she did,

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but I know that she worked on.

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I know that she worked on like, like television and like advertising

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and. Things in that area of like, the

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entertainment industry and stuff like that. I think it was more on the advertising side.

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But like, you. I know she spent a lot of time, you know, in

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recording studios and things like that for, you know, making commercials and

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stuff. So, like. Stuff. Yeah, okay. Yeah, yeah. And.

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And I mean, like, she knew Buddy Rich and stuff. Like,

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you know, like, she was. She, like, she, she

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was just like always in New York City for like, the majority of her

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career. So I think she just kind of always had her finger on the pulse

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of like, what was going on around there. But I also come from an Irish

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Catholic family, so I get very few details. But I also come from an Irish

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Catholic family, so I get very few details.

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On like, people's. People's like, personal lives and like, the lives

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before I came into the world. You know what I mean? So, like, every.

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Everything seems like weirdly nebulous around that

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stuff. But yeah, there definitely was like,

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there definitely was a creative, like, interest,

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like a common thread kind of through everybody. And

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I think that. I think that in a way, me

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sort of being the one to like, actually start trying to make

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it my career was both, like,

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really terrifying for them, but also, like,

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I think there was. I think there was some.

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Remnants of like a finally. You know what I mean? Like,

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somebody made it, you know.

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You know, early on, I'm sure there was a lot of like. Like, you

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know, he could really ruin his life trying to do this. You know what

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I mean? But. But, you know, luckily things seem to have

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worked out so awesome. Dude. Well, how do you

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do you start off on guitar and, like, was that something that you were able

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to play just because you said your dad had an acoustic lying around? Yeah, so

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I never really had much of an interest in the acoustic guitar,

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but he, like, obviously he was on my radar,

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you know, and. It'S. It's a.

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People think it's hilarious and it is, but it wasn't

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until. You remember that Freaky Friday movie that Lindsay Lohan

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did? Oh, yeah. Where she had. She had like, her garage

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band, like her little punk band with her friends. Literally, like, when

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that movie came on in my house and she. And you know, her character

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walks into the garage and picks up the Telecaster and starts hitting some power chords,

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it was like that, you know, like, that's what I want.

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I want to be like Lindsay Lohan. Yeah. Yeah, pretty much.

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Yeah. Yeah. So, yeah, Lindsay Lohan is my origin

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story. And. Yeah, so

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it was that movie. And then the movie School of Rock with Jack Black, I

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think came out shortly after that. It might have been that year or the year

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after. So. Yeah, that was

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like the year I saw Freaky Friday was the year

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I got my first guitar. And it was. It was pretty much kind of tunnel

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vision from that point forward. That's funny. Do you have

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siblings or anything? I have one sister. Yeah. She's. She's

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not. She's not involved in music or anything like that. Yeah.

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So you get. You see this, you know, you see this film and you're

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like, okay, I want to. I want to do that. I want to play guitar.

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You get a guitar? What, for your birthday? Christmas. You save Christmas?

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Yeah, Christmas. Okay. And then do you start taking lessons

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or are you trying to learn it by yourself? Definitely

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lessons. Yeah. We originally, it started just with, like,

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a local shop, and we had to kind of bounce between a few of them

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before I. Before we found somebody that, like, was kind of, like,

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minded because, like, I wanted to. I wanted to play guitar

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with distortion. You know what I mean? Right, right. And

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the first guitar teacher that they that they brought me to was a

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guy that played classical guitar, had the long fingernails. And I was like, this

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ain't going to work. You know, Gross. You

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know, I mean, like, you know. Now, like now perfect picture,

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you know. Like now, you know, seeing people who can play

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that kind of guitar, like, I'm mesmerized by it. But that's.

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I, that's after, you know, 22 years of like

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playing the instrument and like being able to recognize like, how insanely,

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like talented those people are. But like back, back when I'm a 10 year old,

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I'm like, what is this? You know? Yeah, you're like, I just want to play

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some power chords. Like whatever you were listening to at the time. Time, I'm sure,

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right? Like this guy, he's. He's pushing books at me that look like

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math. He's not even holding a pick. There's no amp in this. Like, what, what

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are we doing here? Like. And

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so I had, I had a. We. We finally found a place

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nearby that I was, I was. Honestly, it was probably only for

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a few months. Like, you know, when I think, when I think back to

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my youth, like every, every.

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You know, whatever the chunk of time is, it always feels way

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longer in my memory than it probably actually was. You know what I

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mean? Like, not even music related. Like, I'll think of like,

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you know, this thing that happened in high school and this thing that happened

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in high school. And to me it feels like they were like six years apart,

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but that's impossible. You know what I mean? Like, so, but.

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So it probably wasn't for that long that I was there, but then,

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you know, I mentioned the, the movie School of Rock being kind

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of a formative thing for me. And my mom came home one day and was

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like, hey, so Jack Black's not there, but like, there is a School of Rock.

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Like there is a, like an actual one. Yeah,

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that was cool that those started. Popping up like later. Yeah. And so,

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so. And actually, if I.

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If I remember correctly, if I remember correctly, there

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actually was some type of lawsuit between

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the actual School of Rock and the writer of the movie School of Rock.

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Cause I guess the writing team had like. Cause at the time it was only

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a school in Philly. It was just one thing. And I guess

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the team for the movie or somebody involved with the movie had visited

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it at one point and didn't

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provide any sort of credit or whatever. They just started popping

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up all over the place. Because I, I live in Nashville. I mean, San Diego.

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They were all over you know, they just. Yeah, that, that was, that was a

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little. Yeah, that was a little later on. So when I, when I

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joined, they had just opened up a second

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franchise that was. Oh, so it started there in Philly, what the movie did.

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Oh, I didn't know. Yeah, the. Yeah, no, so the, the, the school

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came first and then the movie took that idea and like made it. And,

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and that's where the lawsuit came from was because, like, because the,

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because the owner of the school, the original like founder of the whole thing was

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like, yo, you just like totally like made a movie out of

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my idea and didn't like, didn't even say anything about your

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source.

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I'm pretty sure that happened, but I don't know. Like, I was

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hearing things about that, but again, I was 10 years old, so I don't totally

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know what the details may or may not have been, but I, um. But yeah,

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so it was just, it was originally just a school in Philly and they actually

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did do. There was like a documentary made about it that was called Rock School

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where, where it was just about this guy, Paul Green, who. He was the,

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the founder and the owner and he was the lead music director. And

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it was a pretty like kind of polarizing

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thing that, that documentary because he was like. I mean, he was

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a real like, like hard ass, like kind of

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drill sergeant, you know, screaming and cursing at like 11 year

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olds, you know, like, and everyone. And everyone's like, this guy's

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a psychopath. But the thing is like, that was,

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it was almost, almost like that movie Whiplash, you know, or.

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The Jazz Director. Yeah, yeah, yeah. Just

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being like, like this the most like insane abusive guy, but like

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bred, you know, greatness in some of these kids, you know.

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And, and so when I joined, they had just

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announced that they were opening a new franchise that was closer to my house.

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And so I was the first kid to sign up and I was there.

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I did, I did change schools at one point to. I did

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switch like franchises like late, like late stage

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of high school. But I was in that program

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from 10 years old until I graduated high school. Oh, wow.

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And that was basically the format was you

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have a three hour rehearsal once a week and a 45 minute

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lesson once a week and at the end of each quarter. So that's like every

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three months or so. It was a weekend of shows

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and it was always like cover shows. So the first show that I did was

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Pink Floyd's the Wall. The second show that I did was AC dc. The third

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one was Kiss. Like, and so it was just

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like. I was on stage

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like all the time and in a band environment all the time.

218
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And. Also they had this

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section of it that they would call the best of

220
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where, you know, because at the time it was a bunch of schools in pa,

221
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so at the end of every season, the

222
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directors would pick the best songs from

223
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each show that their school had put on. And so it

224
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was like the best, like one or two songs and, and they would, and then

225
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all of the schools would meet somewhere in Philly

226
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and all of these songs would be played by

227
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the kids who played them in the shows. And so

228
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like it was usually done at the Trocadero in Philly,

229
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which is like a, you know, for a long time one of the know, premier

230
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venues in Philly. So you know, it was like a 1200 cap

231
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room and it was always packed because it was all of the kids and

232
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all of their parents and whatever, you know what I mean?

233
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So, you know, by the time I was 14 and they would

234
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do all kinds of events like this. So by the time I was 14, apart

235
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from like the arena and stadium stages, like I had done every major

236
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venue in Philly. Wow. So it

237
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became a very comfortable kind of environment for me. And

238
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that's, that's. I mean, I think I, I credit

239
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my job mostly to that because I got really good

240
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at learning songs, you know, so that kind of kind of

241
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primed me for the, the hired gun role that I've had for the

242
00:15:16,320 --> 00:15:19,840
last, you know, probably 10 years or so. Geez.

243
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So yeah, that was like, that was definitely the. And I

244
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mean, you know, I, I learned how to play drums there. That's how I learned

245
00:15:28,450 --> 00:15:31,690
to start singing and, and you know, it was a very

246
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like immersive kind of thing. And that's, I mean it was, it was

247
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the only thing I gave a about for like a decade,

248
00:15:39,370 --> 00:15:42,690
you know what I mean? Did you, did you play in other bands aside from

249
00:15:42,690 --> 00:15:46,530
the, the School of Rock stuff or was that basically a

250
00:15:46,530 --> 00:15:50,260
full time gig while you were in high school? Yeah,

251
00:15:50,260 --> 00:15:54,100
like I, I eventually, you know, started trying to start my own

252
00:15:54,100 --> 00:15:57,700
bands and that. What

253
00:15:57,700 --> 00:16:01,460
up? I eventually tried like starting

254
00:16:01,540 --> 00:16:04,020
starting my own bands or whatever, but you know, like everybody,

255
00:16:04,900 --> 00:16:08,140
everybody in high school and, and like middle school and stuff like that, you start

256
00:16:08,140 --> 00:16:11,780
a million bands that just fall apart. Nobody ever plays a show, like, whatever. So

257
00:16:11,860 --> 00:16:15,570
you know, the first like band band that I started didn't really like, you

258
00:16:15,570 --> 00:16:18,970
know, start doing much of anything until like

259
00:16:19,370 --> 00:16:22,970
16, 17 around there, you know.

260
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But yeah, for, for the most like until that point, like, pretty much every

261
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live performance that I did was like a cover show for Rock School Stuff.

262
00:16:31,290 --> 00:16:34,850
Wow. And were you. Did you just do. You said you played other instruments there,

263
00:16:34,850 --> 00:16:38,490
but like, was your main gig guitar? Mm,

264
00:16:38,570 --> 00:16:42,210
yeah, for sure. And then you. But you learn to sing and stuff there.

265
00:16:42,210 --> 00:16:45,750
Is this the first band you're in now that you're the

266
00:16:45,750 --> 00:16:49,550
vocalist? Or were you. Yeah, yeah, this is definitely.

267
00:16:49,630 --> 00:16:53,390
Yeah, this is, this is the first. Well, I. Well, okay, technically

268
00:16:53,390 --> 00:16:57,230
not, I guess, because that. That band that I started at like

269
00:16:57,230 --> 00:17:00,630
16 originally, like the very first form of it I was

270
00:17:00,630 --> 00:17:04,190
guitar and vocals, but it was

271
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a. It, it. It started as like a metal core kind of thing and then

272
00:17:07,790 --> 00:17:11,610
eventually like shifted into like, like the form

273
00:17:11,610 --> 00:17:14,970
that it is now is like this very technical progressive death metal thing. So.

274
00:17:16,970 --> 00:17:20,730
I realized pretty early on that those

275
00:17:20,730 --> 00:17:23,210
types of vocals weren't really my thing

276
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and we were starting to write more complicated music and stuff and I really wanted

277
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to just be able to focus on guitar. So we wound up getting an actual

278
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vocalist. But yeah, it was.

279
00:17:38,290 --> 00:17:41,970
This, this project for sure is definitely the first, the first

280
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like real attempt at being a front man and also the first time

281
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that like in the, you know, I, I'm, I, I'm playing a lot of the

282
00:17:49,370 --> 00:17:52,729
guitars on the material and stuff, but, but like as far as on stage is

283
00:17:52,729 --> 00:17:56,530
concerned and on camera and whatever, I'm not holding anything but a microphone. So that's

284
00:17:56,610 --> 00:18:00,130
definitely a new thing. Okay. And when did you start

285
00:18:00,930 --> 00:18:04,500
Hellhaven? Was this like a pretty recent endeavor?

286
00:18:05,140 --> 00:18:08,780
Yeah, I mean we, we launched the band in April and so about, you

287
00:18:08,780 --> 00:18:12,340
know, I knew about a year. Yeah, all your stuff is from like

288
00:18:12,340 --> 00:18:15,980
this this year, so I would imagine. Yeah, yeah. So it's just been, it's just

289
00:18:15,980 --> 00:18:19,780
been a single like every four to six weeks. All like since April, all

290
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year. So. But

291
00:18:23,300 --> 00:18:26,020
yeah, I, I started writing for it.

292
00:18:28,030 --> 00:18:31,590
Maybe a little over a year prior to that. I had

293
00:18:31,590 --> 00:18:35,190
written one song that was originally intended to be used by another

294
00:18:35,190 --> 00:18:37,950
band that I was working with and producing at the time.

295
00:18:38,830 --> 00:18:42,110
And they didn't wind up using the song.

296
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And I had sent it to our drummer Matty, who

297
00:18:46,590 --> 00:18:49,830
obviously I wasn't in a band with at the time. He's in a band called

298
00:18:49,830 --> 00:18:53,510
From Ashes to New. And I had done some co writes with

299
00:18:53,510 --> 00:18:56,580
them, like on the record that they put out. Was it last year? I think

300
00:18:56,580 --> 00:19:00,020
maybe the year before. I had written a couple of like

301
00:19:00,020 --> 00:19:03,860
instrumentals that, that wound up on that record. And

302
00:19:04,740 --> 00:19:08,180
so I sent it to him, just kind of like, hey, like you're in this

303
00:19:08,180 --> 00:19:11,780
space, like, is this thing any good? You know? And. And

304
00:19:12,020 --> 00:19:15,700
he was like, yo. Like, are you like. Like, did you write this? Like, are

305
00:19:15,700 --> 00:19:19,100
you doing something with this? Because if you need a drummer for it, like, let

306
00:19:19,100 --> 00:19:22,780
me know. This is kind of rad, you know? And. And I was like, oh,

307
00:19:22,780 --> 00:19:26,620
word. Okay. But the thing is, I still had the band's. The other band's singer

308
00:19:26,620 --> 00:19:30,400
on it, so I was like, well, I don't. I don't really think

309
00:19:30,400 --> 00:19:34,200
that guy's gonna be trying to, like, jump ship

310
00:19:34,200 --> 00:19:37,080
to start another band, you know? Yeah.

311
00:19:38,600 --> 00:19:42,360
So then it was like a. It was a thing of, like,

312
00:19:42,999 --> 00:19:46,760
do. I. Like, do I try to find another

313
00:19:46,760 --> 00:19:50,360
singer for it and, like, be the guitar player? But, like, I don't know the

314
00:19:50,360 --> 00:19:52,760
first thing about trying to find a singer. And.

315
00:19:54,300 --> 00:19:57,980
Like, it's. I. I kind of. I guess I had this vibe

316
00:19:57,980 --> 00:20:01,620
that, like, finding a singer would be more difficult than finding other

317
00:20:01,620 --> 00:20:05,100
players because it's like.

318
00:20:06,460 --> 00:20:10,179
I don't know. It's just. I think it's a. Just. I feel like I would

319
00:20:10,179 --> 00:20:13,460
be having to, like, certain, like, weed through a bunch of

320
00:20:13,460 --> 00:20:16,660
strangers. You know what I mean? Like, I can. I can find. I can find

321
00:20:16,660 --> 00:20:19,700
you anybody who can play any instrument, because I know a million of them, but

322
00:20:19,700 --> 00:20:23,100
when it comes to, like, just standalone singers, I'm like, I don't know how to

323
00:20:23,100 --> 00:20:26,670
do that. So. Right. You'd have to,

324
00:20:26,670 --> 00:20:29,870
probably just because you've been in the industry and you've been in other bands that

325
00:20:29,870 --> 00:20:33,670
have had success, like, you would almost, like you said, you

326
00:20:33,670 --> 00:20:37,430
could grab other guys from other. That, you know are good. Right. And you're

327
00:20:37,430 --> 00:20:41,070
not like, poaching the. The main. Like, the singer of the

328
00:20:41,070 --> 00:20:44,510
band. Right. The voice of the. Of a band. Right. Like, right, I'm gonna go

329
00:20:44,510 --> 00:20:47,790
to this band. I know. I know so. And so I know he sings for

330
00:20:47,790 --> 00:20:50,950
this band, but maybe he'll want to sing on this. It's. I. I could see

331
00:20:50,950 --> 00:20:54,450
how they could. Get a little weird. Yeah. And. And, you know,

332
00:20:54,530 --> 00:20:58,370
like, if you're. If you're trying to find, you know, a singer from a prominent

333
00:20:58,370 --> 00:21:02,050
band, then that's inherently difficult. And if you're trying to just,

334
00:21:02,050 --> 00:21:05,170
you know, find people on the Internet, you have no idea what the

335
00:21:05,170 --> 00:21:09,010
personality you're gonna run into is gonna be and whatever.

336
00:21:09,010 --> 00:21:12,690
So. So I just. I. I decided to just try my

337
00:21:12,690 --> 00:21:16,450
hand at it and redo the. The vocals on my own.

338
00:21:16,450 --> 00:21:20,260
And then I just sent the two files to Matty and

339
00:21:20,260 --> 00:21:23,060
then a bunch of other people just, like, I Didn't say who was who. It

340
00:21:23,060 --> 00:21:26,500
was just like singer one and singer two and. Oh, interesting.

341
00:21:26,900 --> 00:21:30,100
And I was just like, hey, just tell me which one you like better.

342
00:21:31,300 --> 00:21:35,060
And surprisingly, most of the feedback that I got,

343
00:21:35,220 --> 00:21:38,740
because I had, like, the whole time, like, I liked the original

344
00:21:38,820 --> 00:21:40,740
singer just. Cause I was.

345
00:21:42,580 --> 00:21:45,580
Like, I just thought he sounded really great on the song. I always loved the

346
00:21:45,580 --> 00:21:48,780
timbre of his voice and whatever. And I was like, there's no way. There's no

347
00:21:48,780 --> 00:21:51,990
way that people are gonna pick. But most of the feedback that I got was

348
00:21:51,990 --> 00:21:55,830
picking mine, oddly enough, so that's cool. And you didn't tell them that it

349
00:21:55,830 --> 00:21:59,670
was you. You just said these. No, because I didn't. I didn't want. Because it

350
00:21:59,670 --> 00:22:02,350
was. It was all friends, like, whether it was somebody in the industry or just

351
00:22:02,350 --> 00:22:04,870
like casual listeners or whatever. Like, I didn't want anybody

352
00:22:06,069 --> 00:22:09,350
thinking, like, going into it, like, they're voting for or against me,

353
00:22:09,750 --> 00:22:13,270
you know? Right. I just want. I wanted like 100%

354
00:22:13,590 --> 00:22:17,340
objectivity of just like, tell me which singer sounds

355
00:22:17,340 --> 00:22:20,860
better. You know what I mean? Wow, that must have felt pretty good, though, to

356
00:22:20,860 --> 00:22:24,540
get those back and be like, oh, people want me. It. I mean,

357
00:22:24,540 --> 00:22:27,860
it. It did, but it was also like, I'm pretty terrible at taking

358
00:22:27,860 --> 00:22:31,500
compliments. So, like, I. I was like, there was definitely like a lot of like.

359
00:22:31,500 --> 00:22:34,860
Like my brain was sort of rejecting of, like, all these people must be stupid.

360
00:22:34,860 --> 00:22:37,500
You know what I mean? Yeah. They all know it's me and they just don't

361
00:22:37,500 --> 00:22:40,540
want to hurt my feelings. Right. Right.

362
00:22:42,150 --> 00:22:45,950
So. But yeah, but like, the one good thing about that was, like, I

363
00:22:45,950 --> 00:22:49,750
had just, you know, before that I had never really

364
00:22:49,750 --> 00:22:53,350
considered myself very adept when it came to writing

365
00:22:53,350 --> 00:22:56,070
lyrics or top lining anything. So

366
00:22:57,030 --> 00:23:00,150
I always kind of stayed away from that. But I think the fact that

367
00:23:01,430 --> 00:23:05,110
I didn't originally write it for me to sing kind of helped

368
00:23:05,110 --> 00:23:08,910
that, like, I didn't have those usual insecurities of, like, oh, this is gonna

369
00:23:08,910 --> 00:23:11,910
sound stupid with me saying it or whatever. You know what I mean? The kind

370
00:23:11,910 --> 00:23:15,570
of, like, self conscious that comes with that. So I think

371
00:23:15,730 --> 00:23:19,570
that. Having. Having done it

372
00:23:19,570 --> 00:23:23,410
that way is like, was. Was a good thing because then it

373
00:23:23,410 --> 00:23:27,010
was like, okay, well, now I know how, like, now I know,

374
00:23:27,090 --> 00:23:30,610
like, the headspace that I need to put myself in. And more

375
00:23:30,610 --> 00:23:34,210
importantly, now I know that, like, I can build a song from start to finish

376
00:23:34,210 --> 00:23:37,690
with nobody if I want to. You know what I mean? Like, I don't. I

377
00:23:37,690 --> 00:23:40,450
don't need to bring anybody else in if I, you know, if. If I Don't

378
00:23:40,450 --> 00:23:44,270
if I don't want to or need to. So at that point, it was,

379
00:23:44,350 --> 00:23:47,070
you know, then I told Matty, I was like, okay, well, hey, that was me.

380
00:23:47,790 --> 00:23:51,550
So I think. I think. I think we figured that out. That's easy

381
00:23:51,550 --> 00:23:55,350
enough, I guess. Yeah. So then it was just

382
00:23:55,350 --> 00:23:58,590
a conversation of, like, who else to hit up. And,

383
00:23:59,150 --> 00:24:02,910
you know, Matty and I have been touring for a long time,

384
00:24:03,150 --> 00:24:06,990
so, like, nobody was really interested in, like,

385
00:24:06,990 --> 00:24:10,690
just finding, like, completely new people

386
00:24:10,770 --> 00:24:14,530
because it's kind of scary to start something new when you're in your 30s

387
00:24:14,530 --> 00:24:18,370
and you have a career and, like. Right, right. You

388
00:24:18,370 --> 00:24:22,130
know, it's so. It. It feels. It would feel kind of pointless to do it

389
00:24:22,130 --> 00:24:25,730
with a group of people where you had to, like, hold somebody's hand,

390
00:24:25,970 --> 00:24:29,810
like, you know, somebody who didn't really know, like, how things worked or

391
00:24:29,810 --> 00:24:33,570
whatever. You just kind of wanted to be able to, like. Like bring some people

392
00:24:33,570 --> 00:24:37,330
in and everyone's kind of on the same page, right? Yeah, exactly. Yeah, they're. They're.

393
00:24:37,330 --> 00:24:40,970
Yeah. You don't have to, like. Right. Teach, like.

394
00:24:41,050 --> 00:24:44,810
Yeah. Teach them the ropes of touring or what? Like, everyone's kind of is a

395
00:24:44,810 --> 00:24:48,610
veteran and knows what's going on in these moments. Exactly. Show

396
00:24:48,610 --> 00:24:52,250
up to a show or whatever it may be. Right, right. So. Yeah, because.

397
00:24:52,250 --> 00:24:54,890
And also, you know, we knew it was going to be kind of difficult, at

398
00:24:54,890 --> 00:24:57,730
least even just for the two of us to be able to, like, get our

399
00:24:57,730 --> 00:25:01,050
schedules to match up to get together. So, like,

400
00:25:01,370 --> 00:25:04,610
if it was going to be difficult already, we might as well get people who

401
00:25:04,610 --> 00:25:08,420
are, you know, like, you know, to the best of our ability

402
00:25:08,420 --> 00:25:12,180
professionals. And. And, like, then just know that

403
00:25:12,740 --> 00:25:15,300
we're not going to have it. Have to have any of those kind of annoying

404
00:25:15,300 --> 00:25:18,980
preliminary conversations of, like, this is how this goes. This is how this.

405
00:25:18,980 --> 00:25:22,780
Yes. You know, kind of thing. So did you

406
00:25:22,780 --> 00:25:26,500
ever think of it as. Or doing it because you're like, oh, wow, well, he

407
00:25:26,500 --> 00:25:30,180
likes my voice or my voice got voted or whatever, and I

408
00:25:30,180 --> 00:25:33,100
know I can build the song from start to finish. Did you ever think of

409
00:25:33,100 --> 00:25:36,780
it, like, maybe doing it just as, like, a solo project of maybe having

410
00:25:37,260 --> 00:25:40,620
Maddie as just the drummer or. Or this. Yeah.

411
00:25:40,780 --> 00:25:44,580
Something you wanted as a band that you're like, let's tour and do the

412
00:25:44,580 --> 00:25:48,180
whole thing with it. Yeah. The. The goal from. From the

413
00:25:48,180 --> 00:25:51,780
Drop was to, like, at least have something that had the

414
00:25:51,780 --> 00:25:55,500
ability to, like, tour and be a band and, you know,

415
00:25:55,500 --> 00:25:59,260
whatever. I mean, from, you know, just out of necessity because of

416
00:25:59,260 --> 00:26:02,700
everybody's schedules being Crazy all the time. Like, it was kind of

417
00:26:03,350 --> 00:26:06,790
unrealistic to think that we could all get ourselves in a room together,

418
00:26:06,870 --> 00:26:10,470
like, even. Even once, let alone multiple

419
00:26:10,470 --> 00:26:14,310
times to, like, write all of this stuff together. So the writing

420
00:26:14,550 --> 00:26:18,390
largely came down to me, but. But as far as,

421
00:26:18,390 --> 00:26:21,670
like, you know, the esthetic and the

422
00:26:22,230 --> 00:26:25,910
sort of group environment and stuff, like, we all wanted to feel like.

423
00:26:25,990 --> 00:26:28,790
Like an actual band, like a unit. You know what I mean? So.

424
00:26:30,970 --> 00:26:33,690
Definitely didn't. And I, you know, I don't.

425
00:26:34,730 --> 00:26:38,330
Like I said, I'm, you know, the frontman thing is very new for me and

426
00:26:38,330 --> 00:26:41,450
still kind of uncomfortable. So the.

427
00:26:42,170 --> 00:26:45,809
The idea of calling it, like a solo project was like, that was a. No.

428
00:26:45,809 --> 00:26:49,570
No. Okay. You know, it's like. It's like this is. This

429
00:26:49,570 --> 00:26:53,090
is gonna be difficult enough for me to wrap my head around. You know what

430
00:26:53,090 --> 00:26:56,590
I mean? This being just me. Yeah, yeah. Without

431
00:26:56,590 --> 00:26:59,590
and without just calling it Chris Kelly. You know what I mean? I was like

432
00:26:59,590 --> 00:27:02,430
that, like, name and, you know. Yeah.

433
00:27:03,150 --> 00:27:06,310
Did you have. Because I know you've put out. You said you're putting out songs

434
00:27:06,310 --> 00:27:09,990
every couple few weeks or whatever. Do you have a full album that

435
00:27:09,990 --> 00:27:12,950
you're gonna. You guys are gonna put out or are you just playing, like, you

436
00:27:12,950 --> 00:27:16,630
just releasing the songs as singles as they come? Yeah. So, I mean, the

437
00:27:16,630 --> 00:27:20,110
original. The original intent was to have it be a record, you know,

438
00:27:20,590 --> 00:27:24,110
release. Release singles for a few months and then announce a record and do the

439
00:27:24,110 --> 00:27:27,760
whole thing. But I think a lot there, like, this whole year

440
00:27:27,760 --> 00:27:31,520
has just been kind of like trying to. Trying to make

441
00:27:31,520 --> 00:27:35,280
proof of concept, you know, and, you know, do it. We're

442
00:27:35,280 --> 00:27:38,000
doing it all independently, so you want to try to keep budgets low and stuff

443
00:27:38,000 --> 00:27:40,960
like that. And when you announce a record, you want to have, like, merch bundles

444
00:27:40,960 --> 00:27:44,240
and marketing in place, and you kind of want to have a lot of, like,

445
00:27:44,240 --> 00:27:47,960
infrastructure ready to go. And so by the time it, like right

446
00:27:47,960 --> 00:27:51,720
around, like, October, ish, would have been maybe the

447
00:27:51,720 --> 00:27:54,560
ideal time to announce, like, okay, now it's going to be a record.

448
00:27:56,420 --> 00:28:00,260
It was like, we don't have enough in place to, like, really support

449
00:28:00,260 --> 00:28:03,980
that, so there is enough material written for, you

450
00:28:03,980 --> 00:28:06,980
know, between all the singles that have come out now and then what. What still

451
00:28:06,980 --> 00:28:10,140
hasn't been released, like, there is enough to make it a record. It's just we

452
00:28:10,140 --> 00:28:13,940
have to have the conversation of, like, what it's going to look like. Right

453
00:28:13,940 --> 00:28:17,660
on, man. Well, that's exciting. That's really awesome. Well, I appreciate your time,

454
00:28:17,660 --> 00:28:20,900
Chris. Thank you so much for doing this. Yeah, likewise, man.

455
00:28:21,770 --> 00:28:25,490
I have one more question for you before I let you get back

456
00:28:25,490 --> 00:28:29,170
to hitting the road or. I want to know if you have any

457
00:28:29,170 --> 00:28:32,890
advice for aspiring artists. I

458
00:28:32,890 --> 00:28:36,610
mean, that's, you know, that's a pretty. That's a difficult one to

459
00:28:36,610 --> 00:28:39,450
answer because it's hard to.

460
00:28:40,890 --> 00:28:44,610
It's hard to consider myself as somebody who's worthy of giving advice.

461
00:28:44,610 --> 00:28:48,370
But the. Well, you've. Yeah, okay, never mind.

462
00:28:48,600 --> 00:28:51,240
You've done it. No, well, yeah, no, I,

463
00:28:52,280 --> 00:28:56,040
I recognize, I recognize I have a career in this, so. Yeah.

464
00:28:57,320 --> 00:29:00,360
But honestly, I think the only thing that I can say is like, I think

465
00:29:00,360 --> 00:29:03,000
everybody that gets into music sort of assumes that

466
00:29:03,960 --> 00:29:07,680
their path to like making it or whatever is like they're

467
00:29:07,680 --> 00:29:10,200
going to start a band and that band's going to get signed and then it's

468
00:29:10,200 --> 00:29:13,080
going to get big and that's it. And

469
00:29:13,880 --> 00:29:17,550
that would be sick. But it doesn't necessarily always work out

470
00:29:17,550 --> 00:29:20,070
that way. So

471
00:29:21,430 --> 00:29:25,270
being open to different, like my first touring gig, I was in a

472
00:29:25,270 --> 00:29:27,430
Darth Vader costume. You know what I mean?

473
00:29:30,230 --> 00:29:33,830
I definitely wouldn't have thought that's what would have happened. So

474
00:29:34,390 --> 00:29:38,150
just kind of being as open as you can to whatever

475
00:29:38,150 --> 00:29:41,910
opportunity might come your way is probably the best advice that I can give

476
00:29:41,910 --> 00:29:44,590
because I think a lot of people can get, especially when you're younger, you can

477
00:29:44,590 --> 00:29:48,370
be pretty tunnel vision, kind of closed minded to like. No, it's just going

478
00:29:48,370 --> 00:29:51,730
to be my thing that gets me to where I need to be. But like.

479
00:29:51,730 --> 00:29:55,330
And so you can kind of not even notice like another potential

480
00:29:55,330 --> 00:29:56,690
opportunity popping up.

481
00:30:02,930 --> 00:30:04,370
Bringin it Backwards.

482
00:30:08,210 --> 00:30:11,730
Bringin it Backwards, Bringin it Backwards,

483
00:30:11,970 --> 00:30:15,410
Bringin it Backwards, Bringin it Backwards,

484
00:30:15,650 --> 00:30:16,930
Bringin it back.